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There's a Revolution goin' on!!
July 2001
A former electrician, Willy T has been working in production since 1986 and along the way acquired a Diploma of Audio Engineering and BA in Media Production. He's worked extensively in live-sound/lighting, corporate A/V production and TV outside broadcasting (sports). In 1998 he published a textbook - Live Audio Workshop - a hands on guide to rigging and operating PA Systems (© Giraffe Communications). Order book via email - LIVE_AUDIO_WORKSHOP@hotmail.com or at all good music or book shops. Currently Willy conducts live-audio training courses based in BrizVegas. [Brisbane, Australia.]
Ever noticed how a change in musical culture can sneak up and bite us roadogz on the arse; before we really know what is happening? Well it's happening all around us…

World Championships

Up until about the mid 90's rock and roll - in all it's forms - was king. Cocksure lead guitarists and singers inspired kids from the 50's and Elvis on, to form their own garage bands and dream of international stardom and success. (Or should that be 'stardom and excess?')

We poor harassed engineers had to be able to mic up real instruments like drum kits, Marshall 'quadboxes' and bass rigs; cope with foldback induced feedback, and generally translate the garage sound for use in a venue. ('Like feedback through the foldback, these are the gigs of our lives'…groan!!)

The rise and rise of Dance Music - or Techno, Electronica, call it what you like, there are many sub-genres - has been steadily going on since about the mid-80's. Previously it was confined to the nightclubs and dancefloors, with those who went to see 'live' music looking down their noses at 'Discbunnies.'

Fast forward to 2001…

For the last two years turntables have outsold guitars in the UK, and are fast catching up in countries all over the world…

The DJs are superstars! With international 'turntablists' like Fatboy Slim, Carl Cox and 'Sasha n Digweed' commanding huge appearance fees and being feted like the 'rock royalty' of previous generations. On the millennium New Years Eve some UK DJs were being helicoptered around the country to 3 & 4 gigs on the one night, asking £100 000s for the privilege of hearing them 'spin their magic spells!!. …

Many mainstream and rock-based acts now incorporate a DJ in their line up and use the common DJ technique of creating 'loops' within a song, both live and in the studio…

Vestax have introduced a Vinyl Cutter to produce custom LPs, within the price reach of dedicated DJs and not just the major recording companies..

There are world championships for DJs, started in 1986 by Disco Mix Club (DMC has evolved into a Dance orientated record label). Now internationally famous as the Technics World DJ Championship, the comp has become a household name, and attracts entrants from over twenty-eight countries. Recent entrants include spinners from Argentina, the Czech Republic, Hungary, South Africa, Finland and even Mauritius!!

Relax & listen.

It is still common to hear punters, engineers and rockers pissed-off at falling attendance's say, "they're not musicians, they just play other peoples music," and the other favourite' "it all sound the same…duff, duff, duff, da-duff !!"

I'm no saint; I said exactly the same thing until I moved into a 'techno house'!! Let me set the seen, circa 1997, in the days when Techno/Electronica/Urban sounds were rarely heard on 'mainstream' radio or TV programming.

Here I am, the archetypal touring roadie - 'if it's not live and organic it's not real' - sharing a house with two DJs. In our back room was a full-on DJ console. It was the classic set up :
2 x Technics 1200 Turntables and a Newmark 'battle' mixer. In front of this was bits and pieces of PA gear that I had acquired over years of live-sound engineering and touring. The gear I added included power amps, FOH speakers, and subs. (The neighbours loved us!!)

I got a real technical and musical education form my former housemates. Yes, they were using pre-recorded music - vinyl LPs - but they way that they would blend and combine different sounds and feels together, produced a totally different creation. They were not merely reproducing, they were creating. I could hear & see for myself the creative process. A set of turntables and mixer are as much an instrument as a guitar, keyboards and even drums.

Like all instruments played, the skill involved in this creativity takes practice, dedication, time and just a crucially inspiration. DJs, like all musos have to 'learn their chops and pay their dues.'

Finally.

As both a listener and an engineer, to truly appreciate the art-form I had to 'retrain my ears'. Everyone since the 50's have grown up with the sounds of 'rawk 'n' roll'. We know its form, content, and progression. 'Dance' music is as revolutionary and subversive as Rock was in its time. We are in a whole new way of experiencing music, with a shift from melody based music, to rhythm based. Rather than putting this new art-form down, lets celebrate another 'colour in our sound palette.' ( Phew, that was poetic!)

Remember, we hear with our ears; music is music, is music!! It's not mutually exclusive. We can get off on new music without loving the older styles any less!! The new we are comfortable living with such certainties.

What do you think? Send your comments to me via roadogz.com or post your thoughts on the message board.

Have a good one!!

Willy T.

PS. Thanks to DJ Duck and DJ Tonestar of Paddington, Australia for the music education!!

 

 
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